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Number 8 Mantis
Loui Morrell
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Soundtrack 3
Phil Dadson
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Soundtrack 7
Phil Dadson
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Portrait of Jaqueline Fahey
Reiko Elliott
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Untitled
Frances Hansen
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Skinny White Male
Richard Lewer
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Cue: Smile
Glen Wolfgramm
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My Colour Profile
Glen Wolfgramm
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Big Top Theatre Show for all the family
Graham Percy
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Memorabilia
Saso Sinadinovski
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Mea Ta Waka
David Brown
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Old Store under Plane Tree, Grafton Road Auckland City
A. Whistler
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Empire Builders
James Boswell
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Maori Head & Artefacts
David Brown
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Political Cartoon
Gordon Minhinnick
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Baillif XVI A
Douglas Macdiarmid
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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Gymnasium: Circus Drawing
Adrian Hall
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
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Hobson Street
James Boswell
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And this also is the Point of Saying Goodbye
Gregory O'brien
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Untitled
Michael Dell
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Black double ended series 280/36
John Lethbridge
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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Black double ended series 280/35
John Lethbridge
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Untitled Drawing (Koru Series)
Gordon Walters
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The Lion and the Mouse
Graham Percy
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Anxiety
Douglas Macdiarmid
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04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
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Untitled
Nicholas Oram
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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
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Study for Sculpture
Jim Allen
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Baillif III
Douglas Macdiarmid
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The Clock Tower Building, Auckland University
Frederick Ellis
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2